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The Fool (design collective)
・ The Fool (guitar)
・ The Fool (Lee Ann Womack song)
・ The Fool (play)
・ The Fool (Ryn Weaver album)
・ The Fool (Tarot card)
・ The Fool (Warpaint album)
・ The Fool and His Money
・ The Fool and the Flying Ship
・ The Fool and the Princess
・ The Fool Circle
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・ The Fool of Quality


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The Fool (design collective) : ウィキペディア英語版
The Fool (design collective)

The Fool were a Dutch design collective and band who were influential in the psychedelic style of art in British popular music in the late 1960s. The colourful art draws on many fantastical and mystical themes. The group was named in reference to the Fool tarot card.
The original members were Dutch artists Simon (Seemon) Posthuma and Marijke Koger, who were discovered by photographer Karl Ferris among the hippie community on the Spanish island of Ibiza in 1966. He took photographs of clothes designed by them, and sent them to London where they were published in ''The Times'' (London) and immediately caused a sensation. Ferris took The Fool back to London, and together they opened a studio, with the Dutch artists producing clothes and art, and Ferris pursuing photography. Barry Finch and artist Josje Leeger joined later. All had been involved with Beatles manager Brian Epstein's Saville Theatre and with the design of the facade and much of the merchandise of the Beatles' Apple Boutique store.
==Works==
Their work includes:
*the colourful clothes worn by the Hollies on the cover of their 1967 album ''Evolution'';
*stage costumes and the front cover design for the self-titled 1967 debut LP ''Move'' by the Move;
*stage costumes for Procol Harum;
*the cover of the Incredible String Band's 1967 LP ''The 5000 Spirits or the Layers of the Onion'';
*stage costumes and decoration to instruments used by Cream, including Eric Clapton's famed Gibson SG guitar named also The Fool, Jack Bruce's Fender Bass VI bass, and Ginger Baker's drum kit, created for the group's 1967 tour of the US.
The Fool's best known artworks are those they created for the Beatles in 1966–67. They include:
* the original (rejected) cover and the inner sleeve for ''Sgt. Pepper's Lonely Hearts Club Band'';
* the clothes worn in the 1967 television broadcast of "All You Need Is Love";
* the huge 3-story mural painted in psychedelic colours on the facade of the Beatles' Apple Boutique in London's Baker Street (which also stocked their creations; months later, the mural was painted over by civic order, due to protests from other local businesses, before the shop failed);
* decoration to John Lennon's piano and one of his Gibson (acoustic guitars )
* decoration to George Harrison's Mini car and his bungalow Kinfauns in Surrey (including a lavish fireplace mural), as well as several of Harrison's guitars, but not his Fender Stratocaster known as "Rocky", Harrison painted this himself.
* the set design for Joe Massot's 1968 movie ''Wonderwall'', with a score by George Harrison (The Fool also appeared in the film's party scene).
It would appear that, contrary to popular belief, The Fool did not create the psychedelic paintwork on John Lennon's Rolls-Royce.〔(Simon Posthuma's personal website )〕 Cynthia Lennon's memoir claims that the work was carried out by "a firm of barge and caravan designers".〔Cynthia Lennon: ''A Twist of Lennon'', p. 142〕 An article about the car on the Ottawa Beatles site 〔(John Lennon's Rolls Royce )〕 states that the work was carried out by J.P. Fallon Limited, a coachworks company located in Chertsey, Surrey. The site has a newspaper article confirming this. J.P. Fallon commissioned Steve Weaver's pattern of scroll and flowers (who came up with design) for the Phantom V. The idea to make the car psychedelic was based on a suggestion from Marijke Koger, a member of The Fool who told Lennon to "paint the Rolls like the gypsy wagon" that was in his garden. There is photograph of the template (or artwork board) that Steve Weaver used to create the design for the car at the Ottawa Beatles Site.
After moving to Los Angeles, the Fool created the largest mural in the world at the time (1968) on the exterior of the Aquarius Theatre for a production of the Broadway musical ''Hair'', by invitation of producer Michael Butler. Simon and Marijke went on to paint other theaters where ''Hair'' was playing, in San Francisco, Seattle and Chicago. Thereafter, The Fool split up, Simon, Barry and Yosha eventually going back to Amsterdam while Marijke remained in Los Angeles to continue her artistic endeavors.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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